Probing neural audio codecs for distinctions among English nuclear tunes
Juan Pablo Vigneaux, Jennifer Cole · Mar 14, 2026 · Citations: 0
How to use this page
Low trustUse this as background context only. Do not make protocol decisions from this page alone.
Best use
Background context only
What to verify
Validate the evaluation procedure and quality controls in the full paper before operational use.
Evidence quality
Low
Derived from extracted protocol signals and abstract evidence.
Abstract
State-of-the-art spoken dialogue models (Défossez et al. 2024; Schalkwyk et al. 2025) use neural audio codecs to "tokenize" audio signals into a lower-frequency stream of vectorial latent representations, each quantized using a hierarchy of vector codebooks. A transformer layer allows these representations to reflect some time- and context-dependent patterns. We train probes on labeled audio data from Cole et al. (2023) to test whether the pitch trajectories that characterize English phrase-final (nuclear) intonational tunes are among these patterns. Results: Linear probes trained on the unquantized latents or some of the associated codewords yield above-chance accuracy in distinguishing eight phonologically specified nuclear tunes with monotonal pitch accents (top average test accuracy (TATA): 0.31) and the five clusters of these tunes that are robust in human speech production and perception (TATA: 0.45). Greater accuracy (TATAs: 0.74-0.89) is attained for binary distinctions between classes of rising vs. falling tunes, respectively used for questions and assertions. Information about tunes is spread among all codebooks, which calls into question a distinction between 'semantic' and 'acoustic' codebooks found in the literature. Accuracies improve with nonlinear probes, but discrimination among the five clusters remains far from human performance, suggesting a fundamental limitation of current codecs.