Dare O.

Key Skills

Software

No software listed

Top Subject Matter

Audio quality evaluation

acoustic/music metadata QA

critical listening

Top Data Types

Audio

Text

Document

Top Task Types

Evaluation/Rating

Transcription

Question Answering

Text Generation

Freelancer Overview

Senior Music Engineer & A&R Consultant (Bruva World) — technical QC and critical music evaluation. Brings 19+ years of professional experience across complex professional workflows, research, and quality-focused execution. Core strengths include Internal, Proprietary Tooling, and DaVinci Resolve (Fairlight). Education includes OAP & Stage Sound Manager, Audio Producer (2019). AI-training focus includes data types such as Audio and labeling workflows including Evaluation and Rating.

Labeling Experience

Audio Engineer & Mixing/Mastering Instructor (SCRIIPO Music Academy) — curriculum and evaluation rubric development

Audio

Designed objective testing parameters and technical score sheets to evaluate student audio projects using measurable audio quality criteria. Delivered instruction on sound wave physics, DAWs, and identification of micro-level sonic defects to improve evaluation accuracy. Focused on training evaluators to recognize spectral, phase, and spatial imaging issues during audio review. • Created evaluation rubrics for spectral balance, phase coherency, and spatial imaging • Taught practical detection of micro-level sonic defects and artifacts • Developed audio technical criteria and translated anomalies into clear feedback • Supported curriculum design and hands-on audio quality assessment training

2022 - Present

Senior Music Engineer & A&R Consultant (Bruva World) — technical QC and critical music evaluation

Audio

Conducted critical listening evaluations and technical QC to assess premium audio assets for mix/master fidelity and sonic quality. Translated auditory anomalies into actionable feedback through defined QC criteria and score-like assessments for artist deliverables. Applied consistent evaluation standards across acoustic arrays, sound profiles, and broadcast-ready audio outputs. • Assessed frequency response, dynamic range, spectral balance, phase coherency, and other audio artifacts • Evaluated genre/authenticity and music fit for high-profile recordings and campaigns • Optimized sound profiles for live broadcast contexts and specific performances • Ensured output met strict quality control and broadcast loudness/dynamics expectations

2008 - Present

Audio Producer, OAP & Stage Sound Manager (Beat FM & Silverbird Rhythm FM) — broadcast audio curation and evaluation

OtherAudio

Performed music catalog curation and vetting for radio broadcast rotations by evaluating track fit against production quality and listener-demographic targets. Engineered and assessed radio station imaging assets (jingles, beds, promos) to ensure compliance with national loudness and dynamic standards. Applied systematic review of audio content suitability prior to daily broadcast scheduling. • Evaluated genre alignment, listener demographics fit, and overall production quality • Reviewed and maintained loudness/dynamics compliance for broadcast assets • Assessed station imaging elements to ensure consistency and readiness for air • Curated content for daily rotation based on quality and fit criteria

2013 - 2019

Education

Work History